Crash Gordon and the Revelations from Big Sur by Derek Swannson

Author:Derek Swannson [Swannson, Derek]
Language: eng
Format: epub
Publisher: Three Graces Press
Published: 2014-02-13T00:00:00+00:00

OBE-188: THE ARCHON AS AUTEUR

Unbeknownst to most film critics, Archons have been the true auteurs of many well-known movies.

Every movie has an egregore affiliated with it, an egregore that arises from the collaborative efforts of screenwriters, directors, producers, actors, agents, DPs, best boys, grips – basically, anyone who shares the goal of getting the movie made. That amounts to a lot of shared psychic energy in most cases, resulting in a strong, independent-minded egregore – a movie’s Team Spirit, in the most literal sense of that term. But often an unseen Archon is the movie’s original source of inspiration and its chief overseer through every step of production, from the first page of its screenplay to its final screening. In such cases, the Archon – rather than the movie’s human collaborators – ends up reaping the most from the Loosh harvest of the movie’s audience.

Oh, wait… did we forget to mention that movie egregores can be used for Loosh harvesting? Shit! They can! (Egregores attached to spiritually corrupt books, plays, and particularly annoying pop songs can do the same on a lesser scale; cf. the complete works of Clive Barker, Andrew Lloyd Webber, and Madonna, etc.) That’s why so many producers, writers, and directors count themselves among the members of the Dark Brotherhood. They’re willing to submit to the Archons’ transdimensionally-dictated cinematic plans and execute them in the physical world – and since Archons operate outside of linear time, movies can be planned as Operation Mockingbird-style propaganda that will impact future real-world events. For those reasons and more, the Dark Brotherhood pretty much has a lock on Hollywood.

As Gordon would say, “Think about it… you know it’s true.”

When it comes to most common egregores – egregores associated with a marriage, a family, a community, a volunteer fire department, or whatever – the Loosh that you contribute during your physical incarnation becomes available to you when you cross over to your astral incarnation, when you’ll need it most. In that sense, an egregore acts like a bank or credit union, as we’ve already discussed. That’s not altogether true of a movie egregore, however. Granted, it works that way for the people who make the movie and distribute it – but it doesn’t work that way for the movie’s intended audience.

For the two hours or so that an audience watches a movie, that movie’s egregore has the privilege of sucking up as much Loosh from its audience as the movie can muster. Since most movies are Dark Brotherhood productions, the kind of Loosh those movies try to induce is the kind that Archons like the most: Loosh produced by human fear and suffering.

How does this work? Brain researchers will tell you that after watching about thirty minutes of a movie or television show, your consciousness enters a hypnoidal twilight state and stops distinguishing between Self and Other. You start to live what’s on the screen – which puts you in an ideal state to feed an egregore.

There’s no end to the emotional turmoil you can put yourself through while watching a movie.

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